MARK RONSON AND THE BUSINESS INTL
Record Collection? More like favor collection. Superstar producer Mark Ronson’s chutzpah is almost matched by his long list of friends on his third album. Damon Albarn at least has the self-control to put Lou Reed and Snoop Dogg on separate cuts; Ronson can’t resist pairing British grime master Wiley and Duran Duran’s Simon Le Bon (or Atlanta rapper Pill with the London Gay Men’s Chorus, for that matter). Ronson trades the Daptone horns he used on Amy Winehouse’s album for synthesizers on Record Collection and nets occasionally expert results. Q-Tip skillfully rides “Bang Bang Bang”’s killer riff, and Le Bon sounds oddly affecting when he pleads “I only want to be in your collection” on the skittering title track. But it’s D’Angelo — MIA for a decade — and his bizarre but gripping voice alterations over the warped chillwave of “Glass Mountain Trust” that give this album its heft. Sometimes Ronson’s pawns do themselves a favor too. —Dan Weiss
Follow us on Twitter: @clescenemusic
We welcome readers to submit letters regarding articles and content in Cleveland Scene. Letters should be a minimum of 150 words, refer to content that has appeared on Cleveland Scene, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at firstname.lastname@example.org.
Support Local Journalism.
Join the Cleveland Scene Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.