Their Dischord debut, 2002's Super/System, was a dadaist pastiche of quirky irreverence across 18 songs, more than half of them less then 90 seconds long. It was as unpredictable as a conversation with Crispin Glover and often as incomprehensible. But the mind isn't always the seat of power, and El Guapo's unintelligible unpredictability might be its greatest strength. Its latest album, Fake French, tones down this outrageousness and actually delivers -- shock of shocks -- something resembling songs. Are they selling out, or is it all a clever marketing ploy to draw in listeners before lowering the sonic boom live? Find out for yourself.