There's already a roughness, a discord to Built to Spill's far-reaching studio output. But on the stage, the band really thrives. I mean, there's almost a shoegaze-level reverence for the feedback and the edge and the droney pain of the music. The three guitars work in jangly harmony to access the deeper points of each composition; guitarists Brett Netson and Jim Roth meander through effects-laden solos to accent Martsch's lead.
The jammy outro to "Strange" was a definite highlight, as was the whole of "Carry the Zero," which remains the band's finest song (despite one of Martsch's strings breaking mid-jam). But it'll always be the broad, exploratory, perfect-for-a-road-trip standards like "The Plan," "Big Dipper," and "In The Morning" that constitute the alluring skeleton of the Built to Spill canon. And those songs were tackled with aplomb, giving the audience precisely what they needed on a cold November night in Cleveland.
I can't be your apologist very long / I'm surprised that you'd want to carry that on / Count your blemishes, you can't, they're all gone / I can't see your response putting them back on
Like they're waiting for your guard to fall / So they can see it all and you're so / Occupied with what other persons are / Occupied with, and vice versa
Martsch's voice is one of the great things about the band. Last night, wear and tear seemed a bit more apparent as he navigated the cracks and wheezes of the high end. Honestly, though, the magnified imperfections of his singing brought underscored the emotion in the words with vivid, almost sepia-toned wonder.
There's also Martsch's trademark head-bobbing in media res, which was hypnotic as ever throughout the show. The realization has always been clear: Built to Spill must be experienced. You'd do well to cue up your copy of Keep it Like a Secret today, but, seriously, check them out on tour.
The trio of covers tacked on in the encore was a nice touch, too. But, still, those calling for the band to play "Car" were left bereft. Maybe next time?
Here's the near-complete setlist (drop a comment here if you can fill in the blanks):
Center of the Universe
Carry the Zero
Stop the Show
In the Morning
(Don't Fear) The Reaper (Blue Öyster Cult cover)
Train in Vain (The Clash cover)
How Soon Is Now? (The Smiths cover)
We welcome readers to submit letters regarding articles and content in Cleveland Scene. Letters should be a minimum of 150 words, refer to content that has appeared on Cleveland Scene, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at [email protected].
Support Local Journalism.
Join the Cleveland Scene Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.